italian musician, sound designer and dj based in venice, where he fights a reckless war against his winged neighbours: the infamous pigeons of st. marks square, who sometimes try to sabotage williams already unstable vintage synths. bottins sound is a blend of seventies disco, early eighties electro, italian giallo movies atmospheres and can be roughly defined as horror disco. among his collaborations: stevie kotey (chicken lips, bear funk), makossa & megablast, richard dorfmeister... bottin already released on bear funk, italians do it better, and after his contribution to the cosmic balearic beats vol. 1 compilation, this is his real 12 inch debut for eskimo.

nice price deal !!! expanding on the success of forward strategy group, label boss smear has fashioned the new minimalist outfit, retail & leisure, with a new addition of the fsg corporate family. retail & leisure is in many ways the polar opposite of fsg, ditching their trademark dense, heavy techno in favour of simplicity, space and a more systematic approach to composition. side a strips right down to the bare essentials, leaving little more than an ice-cold rhythm, bleep and hiss, creating a deep mix-tool for fans of artists such as mika vainio and sleeparchive. the b side features a remix by fsgs latest recruit adrian ross. mechanical scrapes and clangs mesh with deep, pressing kicks to create a sound which is dense and impenetrable. ross is a unique entity in techno: with a genuine outsiders take on the genre, he is an exciting prospect and a great asset to the group. the final track is r&ls take on dubstep, with dry, chalky percussion, discordant siren and churning bass. snares spin, shuffle and shatter against the tracks main, oppressive rhythms. the record ends with some valuable advice on where one should position ones feet

treated with love by ellen allien, josh wink, laurent garnier, robag wruhme, mathias kaden, adultnapper, butane, donk boys, falko brocksieper, james teej, nick höppner, the cheapers, mr.statik, sonja moonear, vincent lemieux... music with its seven notes, coming back to its first one at the octave: simple, limitless and ad infinitum. this is the next clever coup from zurich.
>ave leo< is an homage to life. the three guys from pompelmoessap lay it on thick and dally over a tenderly melting melody, skillfully play with shakers, drum cuts and low deep down effects. evoking a conjuring atmosphere that gets under your skin. the groove is right. the sun rises, early in the morning at the club.
on the b-side you will find a collectible, an everlasting trip of melancholic club couch music with bob dylans cultural message from the 70ies. ion ludwig looks at >spiritual devil< as a kind of protest against all those 2d digitally recycled techhouse sounds, which are released every day en masse. here plays timeless music for connoisseurs who want to feel and think while listening. smoke some weed before listening. peace.

entropic minus six contains four tracks selected from peter van hoesens forthcoming album. the mission of these four tunes is clearly aimed at the dancefloor. terminal kicks off this ep with an acidic, addictive bassline, supported by a solid kick drum traveling up and down the scales. strip it, boost it throws swinging metallic percussion at the listener, using only a few elements to maximum effect. on the flip side quartz 1 presents the story of a runaway slap bass riff, twisting and turning into a mad machinefunk frenzy. defense against the self opts for a more atmospheric approach, while maintaining the focus on the peters essential bass heavy sound. essential heavy bass, stripped down, machine influenced techno!

these portraits in words and music will hang in the halls of your mind, taking shape as their features are described against backdrops of familiar and characteristic music

spectrum recordings returns after a lengthy break to bring in the new year with a bang! 2 brand new tracks with the vibes straight of detroit circa 1993, brought up to date in a 2010 style, all courtesy of mat puffett - aka future beat alliance.
>diagram< has already caused a stir with its gruff roaring bassline juxtapositioned against the warm uplifting strings and pads. this is an intelligent and beautiful piece of electronic music, but still has the weight to work on the dancefloor and will appeal to a wide range of house and techno djs.
the flipside >crying sine< is a hypnotic groover surrounded by lush, atmospheric pads and spacey percussion: its also very dj friendly and across the board support is expected.
spectrum have taken a look back to move forward, and manage to sound as current as ever in an ode to the glory days of techno.

the second half of the great lengths remixes package offers 3 more vividly contrasting interpretations of album tracks. almost a year on from the release of his debut album >one< and with >saviour of techno< plaudits still bouncing off concrete walls, berghain lynchpin ben klock turns in a remix of is this insanity that distills everything inspirational about both the club and city he calls home. spaceapes cracked vocal is welded to a sort of cavernous piston driven groove while traces of the originals melody fractured into the briefest of shards fight their way to the surface only to sink back into the percussive smog. located well outside of the heavily scrutinised uk hype centres, manchesters rising star illum sphere continues to hone his already distinct sound on the flipsides brilliant orange reworking. a clanking off kilter groove rubs up against an extended mutation of the original melody that pushes the track towards a poignant climax, evoking all the ache of reaching for the stars and landing squarely on ones face.

as world economies crumble, paranoia and mass hysteria run rife throughout the fractured communities of our troubled planet. nearly 30 months since the last full length communique, transmissions have been forced further underground. after a gruelling series of campaigns at the frontline, special agent manasyt delivers yet another damning dossier of evidence against the unseen corruptors. the processed signals contained within offer a temporary solution, brief respite from the onslaught of treachery that engulfs every facet of modern life. for those amongst us already able to decipher the hidden meanings embedded in the data, this will serve only to confirm your worst fears and suspicions, and urge to you take immediate evasive action. stay tuned for further instructions...

stroke typifies the twisted darkness so prevalent in italian techno right now. constructed from a tight stripped back groove of low-humming bass and booming kicks the track bounces along against a off-kilter backdrop of acid ripped effects. a legend in techno, rino cerrone makes a welcome return to analytic trail with his remix. taking the late night feel of the original and evolving it over a tight shuffling groove the effect is to accentuate the warped vibe and discreet energy.

charity compilation part 2 with tracks by martin eyerer, ds (daniel steinberg), tube & berger, format b! the dance music scene frequently uses african influenced music and rhythm. sampling vocals and percussions of african origin often help djs to achieve huge success with their tracks. meanwhile the political situation throughout the world is reaching an ever-growing imbalance from which the poorest are made to suffer. especially in africa, children have it very hard. they are growing up in an environment that offers poor resources and are exposed to a life of inhuman circumstances. no education, no medical care and worst of all, not enough to eat. in order to support these children and to aid their fight against poverty, the charity project >it began in africa< was set up by juliet sikora and tube & berger. together with other artists from the dance music scene they want to help raise money for the organization the african childrens choir. in cooperation with the african childrens choir, 18 artists made their own interpretations of the original songs from the african childrens choir. all profits made from the sale of this compilation will be donated to the choir and their further projects, i.e. building schemes, the founding of nurseries, and schools to help children get away from a life on the streets. >with this project we sincerely hope to be able to support the children of africa and empower them so that one day they will be able to help themselves.<

charity compilation part 1 with tracks by timo mass & santos, kean sandreas and namito! the dance music scene frequently uses african influenced music and rhythm. sampling vocals and percussions of african origin often help djs to achieve huge success with their tracks. meanwhile the political situation throughout the world is reaching an ever-growing imbalance from which the poorest are made to suffer. especially in africa, children have it very hard. they are growing up in an environment that offers poor resources and are exposed to a life of inhuman circumstances. no education, no medical care and worst of all, not enough to eat. in order to support these children and to aid their fight against poverty, the charity project >it began in africa< was set up by juliet sikora and tube & berger. together with other artists from the dance music scene they want to help raise money for the organization the african childrens choir. in cooperation with the african childrens choir, 18 artists made their own interpretations of the original songs from the african childrens choir. all profits made from the sale of this compilation will be donated to the choir and their further projects, i.e. building schemes, the founding of nurseries, and schools to help children get away from a life on the streets. >with this project we sincerely hope to be able to support the children of africa and empower them so that one day they will be able to help themselves>.

repress , back in stock !!!including anja schneider remix of >three weeks<. part 2 of his album released on three 12 inches. massive top dj support!
the choice of anja schneider for remix duties was an obvious one, the pair first met on a shuttle bus to an event and in short stead paul was co-writing for anja, becoming part of the driving force behind her huge debut album ‘beyond the valley’, now she pulls out all the stops to reciprocate with this standout reworking.
first up on the package is the anja schneider remix of ‘three weeks’, the opening cut from paul’s recent album. here the pair, deconstruct the parts and rebuild things into a deep and hypnotic version that has instant dancefloor appeal stamped all over it. solid, chunky drums rub up against simple spacey synth lines and warm pads to huge effect. bearing in mind the superb quality of the original this is a job well done, and a real addition to this great package.
next we have the original of ‘three weeks’, a track named after the extensive time it took to record. paul had originally intended to record the album in 6-8 weeks, then ended up spending nearly half of his allocated time on this opener. but it has to be said it was worth the effort. this is a slice of solid tech inspired house with subtle vocal elements and a musicality that cuts through the records club based nature. excellent stuff.
finally we have diamant flute, another winner from the ‘me, myself and live’ album. deep and highly engaging this again displays paul outstanding talents as a producer, weaving melodic elements deep into the mix and retaining an incredible underground electronic sound.

stroboscopic artefacts is proud to welcome on board singapore-based xhin (meerestief). with his production wizardry he has been crafting ominous cuts of cutting-edge techno.>fixing the error< is an enormous peak-time club killer. xhin knits together the sinister sound of the revolt of the machines. high frequency drum machines and ferrous sub-bass synthesizers are working urgently against the clock. close your eyes, dissolve, step into dystopia. you are transported into a post-human cityscape where strobes reflect off smelting metallic sounds and deafening alarms wail. these warning codes, layer upon layer, fashion a vision of a metropolis gorging itself on sprawling noises. the flip side, >link< has no narrative. instead, this deep, brooding slice of dub-techno is composed of pure atmospheric pressure. the undercarrige slithers and slinks, interrupted by crackles of lightening and prehistoric rumbles. the result is a construction created in a cold palate of pyrite grey: bubbling, spherical and terrifying. this is dark. this is urgent. this is xhin.

this is the debut from both khixbrrr and northern general, presenting three tracks of heavy club orientated techno music. its a focused, unapologetic blend of tough rhythms, raw melodies and stark noises that when rubbed up against one another create restless sounds, rich and sonorous, bound for big systems and dark spaces. 7even man helixir uses his skills and insane attention to detail to construct a crafty remix in the coarse, mechanical style he is becoming known for.

satronica goes back to his ebm/things to come roots and bashes them against a full frontal industrial strength assault. think satronicas nightmarish vocals over dueling basslines on fire against a backdrop of bludgeoning kick drum distortion. with stellar remixes by two of schranz & hardcore technos leading innovators broken rules & tymon, a collaboration with mega-pioneer oliver chesler aka the horrorist, and an innovative new sound from satronica ... hardcore body music!

here it is ... the fourth volume of the rebirth unreleased series. it includes hot material and brand new exclusives: music from artists like a:xus, rocco, tevo howard and andre lodemann.
after a few years of silence austin bascom is back as a:xus another fantastic song! featuring the sweet vocals of graph nobel, >suite disappointment< grew in the last few months and is ready for a full release in october. the original package included mixes from pete heller, james teej and motorcitysoul, and received the support of a diverse range of djs. it has been played by tiesto, erik morillo and joris voorn in their essential mixes on bbc radio1. rocco (rodamaal), who loved and supported the original mix for months, drops two deeper, soul infused, techytinged remix, proper house music we ve heard in a while! food for your soul!
just signed from rebirth, angela k. is an artistic alter ego born in 2005: angela scalvini, conservatory trained songwriters, meets the electronic artist isacco zanola and experimental guitarist maurizio rinaldi. from germany, rising producer andre’ lodemann, transforms >ballad< into a soulful techno master-piece that grows and grows with every play. takes the strength and sharp nature of the original and sets it against a clinically clean and instantly mesmerising techno backdrop, a gorgeous concoction of shrill synths and crisp beats!
a mysterious figure in music tevo howard is surely a very talented producer coming from chicago. his brand new track >crazy love< is already big for djs like tiga, tensnake, manuel tur and deetron!

big with: joris voorn, marc romboy, brothersvibe, paul woolford, sis, smokin jo, danny howells, wally lopez, dennis ferrer, lee jones, kiki, gorge, kabale & liebe, audiofly, hector romeo, carl cox, arnaud le texier, solomun, karotte, marco resmann, julian chaptal, ramon tapia, livio & roby, osunlade, milton jackson, funk d void, butch, dj hell, chopstick, ben watt, slam, laurent garnier, delete, peter kruder, tiger stripes, affkt, davide squillace, martin eyerer, liapin, jimpster, dj wild, ripperton, anja schneider, fish go deep, agnes, luca bachetti, monika kruse, ... who doesn’t love balearic house? ok, well forget those cheesy parties in ibiza of the early 90’s, as all things can be appreciated when tastefully applied. and that is precisely what schumacher accomplishes with ‘slow’. a slowly building mild balearic groove – not even the slightest bit overbearing, rather inducing a bit of a more subdued hypnotic vibe. chronologically applying a series of effects to the female vocal snippets while shuffling them forward and back against the groove, indicate his ability to use simple effects to create intricate results.

the model is no stranger to gigolo, and we (the royal we) are no strangers to the model. as a supporter of gigolo records, you, our fated reader, should be familiar with our protagonist previous gigolo adventure. but in the words of the late george harrison, >all things must pass< and with this in mind we would like to reintroduce...
the model doesnt just have his own sound, he has in fact attempted to engineer his own genre: dark-techno-baroque. the sound has been crafted through a penchant for aristocratic mannerisms and a passion for high fashion and low fetish. it also happens to pretty succinctly sum up part of his unique personality. set against a backdrop of refined charm, there s an underbelly of something dark and brutal, which is possibly the best way to describe the a-side >in the night<. in many ways this could be seen as a return to form for gigolo, immediately poppy but structured as a classic song with haunting vocals underpinned with a driving techno rhythm. to further consolidate the techno aesthetic look no further then >flex on the b-side and you have a pounding track that could have been played by daft punk in 96 and will probably find a home with a diverse selection of djs today.
the >vampire funk ep< is the first release from the models forthcoming album on gigolo. the concept is in the same vain, but delves deeper into the dark-side of the model. exploring his fetish with the night and creatures that occupy its opulent corridors. like classic transylvanian tales the music from this album will present details that set the mood and composition to create tracks with narrative regardless of lyrics or words. the result being music that moves both bodies and minds and stirs the blood. as pretentious as this sounds the author of this mindless scrap of paper has the fortunate privilege of speaking from experience. as the mind that moves the hands that moves the keyboard is the mind that is being moved by the music as i type and you read. so we are already part way there. the rest will unfold in the coming months.

new ep from detroit techno and graphics legend alan oldham.
following up the more experimental >johnny gambit 01: the prodigal son< graphic novel/soundtrack (pure18lp), alan d. oldham a.k.a. dj t-1000 gets back to basics with the >blaster ep<, phase two of the pure sonik records restart.
>blaster< kicks off the proceedings. a dirty, tracky, and bitcrushed statement of intent, >blaster< is a 130 bpm love letter to all the hard techno fans in germany and spain who have kept the faith and supported dj t-1000s international dates all these years, and the definitive statement that pure sonik records is back!
on the b-side, oldham goes electro with >i rock shit everyday<, a dark, dirty, detroit electro-groove inspired by one of his all-time favorite detroit electro acts, ultradyne. the ep closer, the lo-fi >machines<, is the sound of your laptop, tv, and coffee maker conspiring against you in dial-up modem code. what happens when your microwave starts thinking it can cook better than you? you better watch out...

the sixth part of our upon you series takes marcus down the highway to hell. >mad max< will be taking up the fight on the worlds dance floors, battling and swashbuckling against the marauders of the record industry. the original b1 engine of his nightrider has been highly tuned by super flu this time around and the swift frame will be catapulted down the a1 with the >home sweat home mix<. whilst marcus, our after hour glory rider continues to dominate the groove. with his indicator cranked left, he nearly overtakes himself on the b2. the road to >h-end< will definitely stay exciting! our opinion: blockbuster

bottin, aka william bottin makes music only an italian can make... probably. take a youth spent against a background of old italian giallo soundtracks, some john carpenter film music, add in late 70s italo disco influences, add a touch of free, some easy west coast vibe and a smattering of kitsch. that just about half describes bottin.

patrick begins with his techno bomb “tooth n nail”, a track that showcases a heavy detroit influence with smooth synth work reminiscent of productions from robert hood and carl craig. midway through the track, patrick keeps us guessing with a wobbly synth line that adds playfulness to an otherwise straightforward, moody journey. an understated use of serene female whispers throughout gives this tracks techno classicism a fresh sound. next patrick gives us “davinches”, a chugging tech-house track that pairs a deep, buoyant bass line with a tight, resonant kick, giving it a dynamic groove. patricks tight percussion work keeps things moving with its rims, clicks, and ticks set against a spooky, playful melody that energizes and propels the track to its finish. fans of guido schneider won’t want to miss this one! on the flip, nyc’s elon of clink recordings fame, and a newcomer to klectik, takes on remix duties with a minimal techno take on patrick’s “tooth n nail”. elons version is a pulsating, stripped down mind-bender marked by sub-bass and the sporadic clangs of raw machinery — sexy! this remix maintains the smooth character of patricks original in melodic sensibility, but stands on its own via sparse rhythmic patterns resulting in a deeper, moodier treatment.

popstar jan delay mit neuem groove-monster!
handgespielter disco-sound a la prince, curtis mayfield oder the temptations. jan delay rollt sich wieder durch die funky musikgeschichte. ein grosses album, dass seinen nummer 1 chart vorgänger mercedes dance in sachen aufmerksamkeit noch toppen dürfte.

the single sees midi joined by foreign beggars orifice vulgatron, spitting double time over a pulsating fusion of syncopated guitar licks and throbbing bass lines. blending punk-esque riffs against electro beats, midi proves he knows more than >4 million ways< to raise hell on the dancefloor and bring the

played by mathias kaden, sebo k, tobi neumann, karotte....there is a date this year in autumn you should keep in mind: the release of marcel knopfs first album on mos ferry. being a dj marcel knopf is used to fathom genre boundaries and now and then he dives into dubstep, electronica and realms of pop. with the single dusty dance you get a foretaste of the upcoming congenial longplayer. in its own way, his single enables an acoustic addiction of a thrilling style mix. these two tracks move in between smart techno and grooving illustrious house and points out, that knopf doesnt want to be bound to one musical direction. the title track and a-side of the single >dusty dance< is one of the floor fillers of his album. get ready for an enthralling groove, a monster break and a hook, where any bias against trumpets in the club is blown away. on the b-side youll find the oldschool frickling house track >rec-chord<, which reflects knopfs addiction for the beloved vinyl format. go out and get yourself a physical copy, to hear this nice and comfortable sizzling noise. its the best way to get a charming club feeling. and always remember: who buys first, may listen longer!

limited vinyl edition of the black dog s new album on soma quality recordings. each of the 500 copies is hand numbered and screen printed by the artists. 3 x 180g heavyweight vinyl. the black dog are without a doubt one of the hardest working acts in electronic music. no sooner have they released one of 2008s best albums in >radio scarecrow< and the massive 12 inch >detroit vs. sheffield< which featured two remixes from detroit minimal grandmaster robert hood, they now prepare for their next album release. >further vexations< is a real successor to >radio scarecrow<. the thinking behind the predecessor is still very evident with even more bite, but theres something about the new album that lends itself to the dark club atmosphere. perhaps the recent bout of constant gigging has had its effect on the act because this one is going to be tearing up floors around the world on its release. >further vexations< might have taken half the time to create but still manages to maintain the same degree of meticulous detail and attention as its predecessor, and is a complete package of tracks demanding to be listened to from start to finish. >further vexations< looks to rouse the sort of political attitudes that have been sorely missing from electronic music since raves backlash against the criminal justice act in the 90s.

on the a-side , >brunhilde< the old bitch welcomes us, again completely drunken and swinging to rhythm with her frying pan. the second track is >hip hop chopsui< - a meal which can satiate 500 dance hungry hip swinging ravers without a problem. if you still dont have enough you turn around the record. for here >master mason< shows us, that b-sides can also display their cold-blooded lethal potential. should anyone against your expctation still sit at the bar, nip on his drink uninvolvedly and flirt with the barkeeper, >parcel< will finally make this grumbler let his bar stool stand there and mix into the dance willing crowd.

2001 classic by polish techno export martin czubala!!

sweet 16 is a perfectly judged slice of disco punk, producer grahmzilla hooking up a beat which sounds like the clash hanging out at studio 54 while isis tells of the joys and dangers of being sixteen and ruling the dancefloor. its not clear whether the natural stage genius (time out) is encouraging under age sex, cautioning against it or just suggesting engaging in some healthy exhibitionism. whatever the message she makes it sound great. cruise low is as low slung and bass heavy as you d expect from the title, isis whispering about popping the trunk with a mixture of enticement and threat. bonus track whateveruneed is an epic instrumental electro symphony from grahmzillas hard drive. ny mover and shaker eli escobar rounds out the package with a mix of sweet 16 which harks all the way back to planet rock...

groovebox ep is filled with some class a material for the raunchy dancefloor. first up there is into the club. this track is typical for channel x: it will blow off the roof in the club! as the title of the track already suggests, this is another one of channel xs lengthy journeys into nightlife extravaganzas. a wonderful fidgety bassline and a loop filled with loads of soulful vocal samples from strong male leads to sensitive female souls, this tune is both deep, touchful and destroying. the chainsaw effect session in the middle paves the way for more stomping tech-house business. no time to recover from this, because on the flip its straight onto the floor with wake up: a loop thats made of trillions of little cut-up effects, vocal bits and some straight four to the floor business. after a playful beginning the tune moves into an hypnotic piece of trippy techno only to be converted into a restless party anthem for the Überpeak-time. sick! perhaps there is some time to chill with the last of the three tracks that is against the wall. here it becomes clear what channel x are best at: to create dark, hard and moving electronic music with that special ingredient that is soul. this track is a perfect example: some frightening effects, lots of reverb on the creepy samples, but such a wonderfully harmonic sample that seems to shed light at the end of the never-ending afterhour. if there is a message to this music, it would be: you need to look hard, but there is always love. once again label boss oliver koletzki has picked up these two very talented producers very early upon their career and it has paid off: in one release being better than the one before

played by loco dice, tom clark... a booty call. the title says it all, a call for all booties - big or small - to migrate to the dance floor. an orgy of percussion and low end rumble lift you from your head bobbing slump up against the wall and firmly plants you right in the sweet spot of the dance floor, where the rising energy hits a climax. there is a pause and then the most noticeable sound of the track hits: the booty call. one artist credited with invigorating the kindisch label, is the young frankfurt based producer daniel mehlhart, whose first (and hopefully not last) release, origami was a highlight of last summer. in his booty call remix, one can immediately hear his style thrust into the main groove of the track, injecting it with a heavier feel and bringing forth a whole slew of new effects and sounds including a hypnotizing african vocal. this marks a small milestone as the 20th release of the label.

much influenced by the french electro scene from the likes of justice or sebastian. this time we have dilemn (turbo rec, boys noize rec) against pirate robot midget (after his remixes for n.i.n., yelle and teenage bad girl).... and also including a bonus remix from blende (plasmapool)

this is quite simply one of the most glorious records you will hear this year. it would be easy to lazily reference it against classic period rephlex/planet mu stuff (oops, i just did!), and indeed it appears to share some of the same heritage (even going so far as to feature a remix of rephlex artist global goon in its tracklisting) - but chris leary aka ochre is obviously a man on his own mission. gorgeously lush, but at the same time super-funky…as electronic as kraftwerk starring in a remake of tron, yet somehow as pastoral and organic as edward elgar…much like his label-mate ed chamberlain, leary manages that tricky task of being supremely technical in his programming and arrangements, but without losing the heart and soul of the music amidst all the studio trickery. you know that old chestnut often said when referring to vintage or classic music, >they dont make them like that any more<? well they do…and here it is! simply fantastic.

excellent stomping detroit techno with soul... against all da new hypes in these days... very special and very unique d1 recordings style... pure classic in the making

great >i love my bike< compilation with tracks by jeff samuel, markus nikolai, misha, lusine, twerk and many more..

arctic monkeys were already massive way before they inked a deal with domino in june 2005. people obsessing over the songs? sold out gigs full of stage diving nutcases. hardcore fans pressed up against venue windows, just hoping to catch a glimpse such checkpoints have all been ticked. the boys may share a love of the smiths, the clash and the jam, but in no way were the monkeys ready to simply regurgitate the well trodden brit rock path.

big with efdemin, dixon, sebo k, karotte, dj misk, 2000 and one and many more.. following up from his masterful album no disco future, thomas melchior returns to cadenza with a new single that continues to push gently outward against the boundaries of house music.

dear passenger, welcome aboard the new drehmoment spaceship >>rueckwaerts im uhrzeigersinn<<. we are going to travel through space and time expanding the frontiers of our knowledge by exploring the musical galaxy were in and, by the nature of our majestic universe, finding ourselves in a well known yesterday! from cosmic disco to planet ebm, with a short stop on space station electro, flying across soundtrack like sci-fi tunes and last but not least visiting home planet earth for a nip of pop rock!

played by adam beyer (drumcode),magda (minus), marco carola (minus), mark broom (pure plastic ) ,mihalis safras(traum/trapez), paco osuna (plus 8)... incl. reboot (cadenza/cocoon) & markus fix (oslo/cecille) rmx!!! for lovers of villalobos, hawtin & luciano…in 1994, from the 7th of april until the mid of july between 500.000 and one million people in rwanda were slaughtered in a genocide that took place against the background of a civil war. the red cross works to trace and reunite families thrust apart by the tragic events that shaped rwanda and the region since 1994. we will support the red cross by donating all the money gathered with our project ruanda

trg is an artist to get truly excited about. already boasting releases on bristols hessle label and hyping dubstep fans the world over, with his unique take on the sound, trg is set to blow. everything we stand for blurs the lines between uk garage & breaks making a truly massive club anthem whilst oi! killa! on the flip has won the heart of mary ann hobbs on bbc radio 1 who has been playing this song every week on her show. for those of you who missed the first release, cool & deadly is the hot new label from fabric resident dj tayo and skool of thought, label manager of against the grain records.

since the year 2000, belfastian dj and producer phil kieran is providing us with a constant flow of outstanding records and remixes – among them for novamute and soma – with his energetic sound from the capital of northern ireland. not least has he gotten awareness with his alloy mental project on fatboy slims label skint. his new maxi for cocoon designs two blueprints of uncompromising techno between tradition and modernity. whereas the post-acid sounding a side can be indeed called >wasps under a toy boat<, displaying ongoing >wasp sounds< which are shifted against each other, the break- and bass-orientated b side >tartan paint< sets new standards regarding the sound abstraction beyond popular expectational attitudes. and thus stays a highly functional dj weapon for intelligent techno bashes.

extrem vielseitige platte von dickem techhousigen neotrance bis hin zu 2008er piano filter house... sollte mich wundern, wenn diese tracks dieses jahr nicht auf ibiza laufen ...

played by karotte, sebo k, shinedoes... >hamlin< leads us down a path so groovy, its hard to resist this dreamy tale from the very beginning. steady pushing drums define the tracks mood, amounting to a tactful combination of classic deep house vibes flowing freely against solid and functional percussive elements. drifting late night synths and childlike, ethereal chants osmose the mind of the listener, warming and arousing, spreading only positive energy on the dancefloor. deep vibes rec sascha dive takes hamlin off on his own trip, elegantly stripping down the groove of the original and spacing things out even further. this mix is a pure and prolonged snapshot of the orignals travelling mood, building the groove in subtler steps, emphasised by dives treatment of the chanting, spinning vocals and playful, live arrangement. opening with the same finely strung groove as >hamlin<, >snowflakes< introduces a beautiful and delicately dubbed melody amongst its bubbling rhythms

two more cuts on our summery piano riddim featuring the vocal talents of roll deep mc riko and our very own rubi dan. warrior queens voicing, things change, was released by soul jazz records and also featured on our compilation an england story. riko - a reformed character after spending time in jail earlier this decade - addresses himself to wayward youths with a warning about the badman lifestyle, while rubi dan rails against violence and corruption in london and the uk.

genau wie >mouth to mouth< das wie ein tödlicher virus um die welt ging gibt es nun erste medizinische hinweise, dass >billy says go< einen ähnlichen schaden anrichten wird. die ersten opfer heissen extrawelt, agoria, shonky, italoboyz, marcel dettmann, sascha funke, ellen allien, claude von stroke und das gesamte kompakt büro. hilfeeeeee !

dark energy is the first in a series of sonic strikes engineered by ur to be carried out during the winter equinox of star year 1994-1995, against programmer strongholds. the primary strike will consist of a series of 6 dark energy waves. this mission will be carried out by nitestrike leader james (suburban night) pennington. the dark energy waves will engulf the earth in a ultraviolet midnight sunshine allowing the suburban night and other resistance forces worldwide to finally see the truth and pinpoint programmer positions for the now mobile ur divisions moving out of detroit for the upcoming assault worldwide. to our brothers and sisters of the underground - stay low, stay strong, stay underground

c mon get up! get up! its sunday and time to go to church! gents hold on to your bibles, ladies hold on to your hats & fans as dj drop this crazy sunday evening mix on the congregation. sean mccabe from the blak beat niks puts the feet in stomp with this track. just listen to the thick, pounding kick of the beat! soulful guitar riffs and the base organ that roll in tandem with the guitar taking the energy level pass infinity. another organ wheezes, whines, shakes and wiggles against the groove, while the strings carry the original melody. the modulations are too intense and will drive any dance floor crazy and have them begging for more.

anthem against the art trash shown at the 2007 mega events in kassel, venice and basel. produced in a hotel room in new york just after the cos performance at the moma. luminous color cover/ltd edition